Marked to Die: medieval mystery with hints of Richard Armitage

Third in a series of medieval murder mysteries, Marked to Die has just been released by historical fiction author Sarah Hawkswood. Sarah’s writing is superb. The historical details she weaves into her narrative sweep the reader into the atmosphere of the era from the very first page.
51u0pe2lbsL._SX312_BO1,204,203,200_.jpg
Sarah shares with us how words transport us into realms of imagination, and how a certain British actor with a sultry voice inspires her writing:
Computer. Keyboard. Action.

Fiction writing is words, but it is about images and emotions. When we read we are looking at typeface or a pen’s strokes, but we are ‘seeing’ the images those words create in our minds, feeling the emotions they initiate. Factual writing informs, moulds ideas, gives frameworks of knowledge, but fiction is about imagination. Our brains are stimulated not by the letters S U N S ET but an image of a sunset that the letters spark; the word on the page frees us from time, space, the limitations of our own abilities, and I think it can give our minds as good a ‘workout’ as a challenging sodoku or crossword puzzle. When we learn to read, the magical point is when the mind is not applying itself to the task of spelling out the letters into a word, but when it does that automatically and is freed to gambol in the wide fields of imagination.

So a novel takes one away from that cramped seat on the train with the stranger next to you jiggling slightly as they listen to the music in their earphones; the wet winter’s afternoon with a pile of ironing still to do; the snoring spouse; the everyday and humdrum. It should take you away as you read it, and it takes me away as I write. Writing as a profession, even when giving up ‘the day job’ would be impossible, has its stresses. There are days when each word emerges reluctantly, deadlines that run towards one like a charging rhino, but it is also, to me, as much escapism as reading.

When I write, I see, I feel, I hear, I taste and smell. I am there, in a world bounded only by imagination, given structure by history, given motion by plot and character. I see every scene as though through a film lens, with the ability to view the rushes immediately, move the scenery, set the actors new marks, change their lines without them throwing a hissy fit, and tweak it until it feels natural, yet crafted and as close to perfection as possible.The only difference to film is there is no Hans Zimmer or Howard Shore adding a score to it.

In this way of writing, casting is important. It does not mean that everyone in my books is based upon a particular person, actor or otherwise. Many are broad brushstrokes, ‘a small, motherly woman with deep crow’s feet at the corners of laughing grey eyes’ is casting, even if there is no name. However, real people can be a huge help, especially with major characters, even if it is one aspect of a person, a mannerism or tone of voice. Having a specific person also gives continuity, though after a while their presence is second nature. It also avoids the danger that if a character is made up of elements from too many people the author is creating not something natural but a Frankenstein’s monster. The mix may be infelicitous, show all the suture lines and fall apart before the denouement. By the same token, sticking rigidly to every aspect of one person is just teleporting a clone into your story. A muse is, I feel, a dangerous thing, a limitation.

At which point, as an author who has also been a member of the C19 Forum, I hold up my hand and admit that ‘casting’ a certain Mr Armitage, to various degrees, has been a joy. He is wonderful to work with because of the quality of his acting, the way he subsumes whoever he really is into the character he is becoming; he also has little mannerism that are easy to give as tell tales to a character, so that in a given situation the character will do a certain move of the hand, lift of the brow.

617LfE-n6YL._UY250_.jpg

The Bradecote and Catchpoll 12th century murder mysteries are into their third book on shelves, and I am ahead of the game and writing number nine in the series. I long ago reached the point where I do not have to think how any of the detecting trio will react in a scene because I know them so well. It makes writing interchanges and situations very easy and natural, and though the plot and the dialogue thread, are down to The Words, the story in my head, how they appear on paper is hugely influenced by me ‘watching them’ as I write, letting their voices guide the phrases, the nuances. Hugh Bradecote has been about 85% Mr Armitage since the first revision of the very first book, Servant of Death (though it first saw print as The Lord Bishop’s Clerk). I have been writing Bradecote, Catchpoll, and the third member of their triumvirate, Serjeanting Apprentice Walkelin, for over a decade and they are ‘my boys’. Do I consciously think ‘ah another few hours watching Richard Armitage’ when I settle to write? No, I do not, because it is just the way it is, habitual, normal. Besides, I did not see Mr Armitage when I was privileged to see The Crucible at The Old Vic in London; I only saw John Proctor. The gentleman might not appreciate being kidnapped for my purposes, even 85% of him, but he would appreciate that I am not watching R. C. Armitage but Hugh Bradecote, one subsumed into another.

Of course the reader need not know my casting, may cast for themselves, interpret characters slightly differently, because the writing has evoked different images, but if you are told, and you like watching a certain actor . . .

I account myself a very lucky woman. I have The Words (even if occasionally the wrong Words crowd my head and I have to stop what I am writing and set down fifteen thousand for a short story that will never be read except on my computer), and I have a strong imagination. The icing on the cake is that in my ‘world’ I have been able to watch a certain long stride and mobile brows, hear a certain baritone voice, for hundreds of hours not in the canon of his work, and running through what is thus far, over three quarters of a million words. Feel free to join me.

61vjo1ot8QL._SY346_.jpg

Marked to Die, the third of Sarah Hawkswood’s Bradecote and Catchpoll novels, is out in hardback (US 2 November 2017) and ebook, published by Allison & Busby.

For more information on Sarah Hawkswood and her work visit her website at: bradecoteandcatchpoll.com
Advertisements

Visit Lyme Regis through “Millie Vanilla’s Cupcake Café” series.

Legacy Armitage fan Georgia Hill has recently released book two of a charming romantic series. She’s excited to share a little background on her latest series with fellow period drama lovers:

Huge thanks to The Armitage Authors Network for inviting me on again!

I’ve been busy writing a series of novellas. They’re about Millie and her battle to save her seaside café business. The newest one is the second in the Millie Vanilla set of novellas:
Millie Vanilla’s Cupcake Café Summer Loves. I loved writing these books as I really enjoyed creating the town of Berecombe and its inhabitants. It’s a completely fictional place but is loosely based on Lyme Regis, which is a little seaside town on the south coast of England, in Dorset.

Lyme Oct 029.JPG

Continue reading

New Release: A Knight to the Rescue

Legacy fan Elizabeth Hanbury has recently released her 7th novel. Liz writes delightful Regency romance stories with wit and humor. I’ve read all her works, and I’m excited there’s a new short story to read — just in time for summer vacation!

This publication is special in it’s intention, however. All proceeds from the sale of the book will go to Crohn’s MAP Vaccine fund, a charity based at King’s College, London researching a cure for Crohn’s Disease.

Knight to the Rescue.jpg

Life is a song, but love is the music…

Life is hard for Jessica Smeaton in Regency Bath. She lives in a shabby lodging house and struggles to survive on what she earns from teaching music, hoping that one day the waltzes she composes will sell.

When handsome artist Richard Knight moves into the room above, things start off on the wrong note but could he turn out to be her knight to the rescue?

And here’s a teaser from the opening pages…

The knocking from above didn’t disturb her at first. She was so absorbed in her composing.

The second bout of knocking wrenched her mind out of her music.

The third and much louder series of knocks rang in her ears and sent a hum of indignation flowing through her veins. A stream of plaster dust drifted down from above and settled on the music manuscript in front of her. Jessica jumped up from her battered pianoforte, raised her eyes to the ceiling and uttered a growl of fury.

This was too much. The unseen brute in the room above (no woman could knock with such disdain) disliked her playing and was letting his feelings be known using the heel of his boot. She was vaguely aware of a new tenant had moved in a week or more ago but she had not yet met the person. She was too busy earning a meagre living and now he was banging the floor to complain about her playing. How insulting!

Jessica walked back to her pianoforte, flexing her fingers. Defiantly, she struck the keys as hard as she could.

The reply from above was not long in coming: ban, bang, bang!

Slowly and deliberately she closed the lid. Heat seeped into her cheeks and she tilted her chin: the light of battle had entered her soul. She’d had a dreadful week and now this. Enough was enough. Stopping only to tidy her hair in the mirror and make sure she had no plaster dust on her face, she wrenched open the door, crossed the hallway and started to climb the stairs. For once she dod not notice the peeling paintwork and faded wallpaper of the rambling old lodging house. 

Jessica didn’t consider the impropriety of tackling the idiot in his lair. The landlady Miss Cardew took an unconventional and bohemian attitude to stifling society rules. She believed it helped her tenants” artistic muse to deal with each other as they saw fit with only a few rules to keep the right side of respectable Bath society, the lodging house being tucked away in a quiet street off Queen Square. Miss Cardew loved to encourage artists and offered low rents to such types, for which Jessica was extremely grateful.

Today even the benignly vague Mis Cardew would have scuttled our of the way and felt a pang of pity for the wretch about to get a piece of Jessica’s mind. She reached the door and was tempted to bang on it with her clenched first, but her old teacher’s edict to always be a lady no matter what provocation is offered flashed before her and instead she drew a steadying breath, tapped firmly and waited.

‘Come in,’ said a voice.

She was forced to admit it was a very pleasant, silky voice even if its owner lacked an taste in music.

Jessica entered. The room was scantily furnished, as were most of the rooms in Miss Cardew’s lodging house.  A few threadbare rugs were scattered over the floor. A small fire burned in the grate. Paints and Brushes were spread out over the table under the large window, through which streamed a bright afternoon sun. Various canvases were popped up around the walls. In the centre was an easel, behind which Jessica could see top boots and a pain of breeches covering muscular thighs.

Distracting. Very distracting.

She pulled herself together. ‘I have come–‘ began Jessica.

‘I don’t need any models at present. You can leave your card on the table,’ announced the silky voice.

She felt her cheeks grow pinker, her indignation deepen. ‘I am not a model,’ she said in icy tones, ‘I cam to–‘

At this the brute emerged from behind his easel, wiping his hands. Jessica stared, her mouth falling open a little.

She might have guessed how it would be. Fate delights in playing tricks. Not only did The Brute have a voice as smooth as hot chocolate, he had  devilishly handsome exterior. Broad shouldered and of athletic build, along with the breeches, he wore a white shirt with sleeves rolled up the elbows to reveal strong forearms sprinkled with soft dark hair. his shirt was splattered here and there with paint and open at the neck to reveal a tantalising glimpse of chest hair. He was clean-shaven but his colouring meant late afternoon stubble was already shading his jaw. Beautiful brown eyes were fixed on her in a disconcerting manner. His hair was disheveled and standing up on end as if he had run his fingers through it often. Jessica felt an inconvenient urge to do the same, admitting to herself that he was one of the most attractive men she had ever seen. She might be furious but she was always fair.

I think Liz must have been remembering a certain train scene as she wrote this!

For more about Liz Hanbury’s long history as an Armitage fan, check out our earlier interview with her  here and her post about North and South‘s ten year anniversary here.

 

Armitage Authors interview with Nicole Clarkston

train image.jpg

Did you miss us? After a year-long reprieve, The Armitage Authors Network is happy to be back! Our first duty upon our return is to interview fellow Armitage adorer and N&S fiction writer, Nicole Clarkston. If you haven’t already discovered Nicole’s work, then we’re doubly pleased to introduce you to her!

Armitage Authors: You’ve been a fan of Richard’s for a good while. Tell us a little about how you discovered Mr. Armitage.

Nicole Clarkston: North and South! I was stripping and refinishing my wood floors one week in the summer of 2011, when my husband was out of town. I had small children and I would put them to bed and work all night, so I needed something for noise while I worked. I had moved all the furniture out of the downstairs, so I dragged my laptop around the house and queued up my Netflix account. I found this miniseries I’d been wanting to watch, and immediately I was sorry that I had waited so long to see it. What a glorious piece of fim-making!

The moment I saw that stern glower from the scaffolding of the cotton mill, I could see that this actor truly lived and breathed his role. He could do more with a flicker of an eyelash than most actors can do with explosive emoting. He is so subtle and powerful that he brought John Thornton to life in a way that I do not think any other could have. He began the movie scarcely likeable, but by the end he had so masterfully filled the part and grown the character that I had ceased all my work just to stare at the screen. I think I may have even been drooling. Just a little.

What character was it that first impelled you to write fan fiction? 

I believe it was Thornton. I found him inspiring because of what he had overcome to position himself at the peak of his world, but he is also so vulnerable when he discovers that he can’t earn his way into what he desires most.

One of the things I loved about Mr Armitage’s portrayal is his artless, honest expressions. I grew up the daughter of a simple, hardworking man who speaks little but clearly, and he reinforces his words with deeds. I learned to value those qualities, and Armitage-as-Thornton possesses such strength and dignity that I instantly felt that his was a character to be trusted and respected.

Atop these other virtues we then add the rare glimmer of his heart-stopping smiles, and we can easily see that this is a character of depth and passion as well. Armitage captures this complex man with both precision and power, recognizing that the industrial titan of a man carried around with him a wound which had never healed and an ache for more from this life.

Train smile.jpeg

One of Nicole’s favorite Thornton smiles

What was your first published work?

The first book I ever wrote was No Such Thing as Luck, a variation which picks up during the time after Mr Hale’s death. Margaret has gone to live in London, and she and Thornton never expect to see one another again. The alteration to this story is Mr Bell’s machinations, setting both Margaret and Thornton off to Spain- coincidentally at the same time.

No Such Thing

While I was working on No Such Thing as Luck, I had also started writing Rumours and Recklessness, a Pride and Prejudice variation. By the time it published a few months after my first book, I was already working on Northern Rain, another N&S story. I seem to like alternating, so The Courtship of Edward Gardiner, another P&P story followed Northern Rain.

I am currently continuing that pattern, of always having both a N&S story and a P&P story in the works. The two worlds reflect well off one another in my mind. Thornton and Darcy are of different characters and backgrounds, but share the same integrity and passionate love. Margaret and Elizabeth are likewise dissimilar in personality, but in essentials they possess a common strength and dignity.

My current N&S story is a format I have never before tried. The main narrative flows concurrently with a series of flashbacks, if you will, mirroring the past into the present and shining light on the depths of these character-building moments. I am absolutely loving getting to know Thornton in his developmental years, and I keep picturing a very youthful Richard in the role. He was pretty cute at age 16, if you ask me!

Were you a writer before you found Richard Armitage?

I suppose that would depend upon how you define “writer”. At age 8 I would lie in bed after watching Walt Disney’s Robin Hood and spin further yarns about the characters in my head. In Jr High I was constantly toting around a notebook full of stories I was writing, but I never allowed anyone to read them. In my freshman year of college, I took a writing class from the most detail-oriented professor on campus and loved every minute of it. By the time I was a young mom, my writing had taken the form of anecdotal emails composed to amuse my family members (usually after some horribly embarrassing parenting episode had taken place and there was nothing left to do but laugh about it). I continued to daydream my own fictional adventures, but though I always had this desire to write a book, I never had the courage to do so.

Perhaps it was Richard’s performance, perhaps it was the timing, but eventually I couldn’t stand it any longer. I kept seeing John Thornton and Margaret Hale’s story playing over and over, in so many different ways, and I was distractingly obsessed with them for well over three years before I finally gave in. The idea for No Such Thing As Luck had been tormenting me for days, until I couldn’t sleep one night, so I crept out of bed and opened up my laptop. I tried to tell myself that I would “just” try writing one book, and I wouldn’t allow any of my friends to read it. I was terrified of showing it to anyone I knew because I was just certain that it wouldn’t be their “thing”. It was better in my mind to present my writing instead to total strangers who already knew and loved North and South.

You must know by now that I have overcome my initial fears. Since that first terrifying night at my laptop, I have published a second North and South inspired novel, Northern Rain, as well as two Pride and Prejudice inspired stories (Rumours and Recklessness and The Courtship of Edward Gardiner). I also have a third North and South story in the works entitled Nowhere but North, as well as a third Pride and Prejudice book titled These Dreams. Both are on track to be published in 2017.

Northern Rain

I continue to refuse to allow my personal friends to read my work because I am such a bashful writer. The joy I have found in other North and South lovers, however, more than makes up for any lack of courage on my part. I have met friends in nearly all corners of the world through the magic of self-publishing and social media, and it has been a privilege to share in their enjoyment of Gaskell’s amazing story and the talented actor who carried the torch.

 Is fanfic just a hobby for you or do you hope to go further with your writing?

I think there is a stigma attached to the word “fanfic” and yes, perhaps someday I would like to write a completely original story just to say that I did it. I write what I love, however, and what I love most right now is these characters. I enjoy spending time with them and reading other works about them, so at the moment I am wholeheartedly devoted to the world of fanfic.

What would you ask Richard Armitage if you bumped into him today?

Oh, my, I think I would be too bashful to say anything at all! I wouldn’t want to pry into his personal life, so if I had the courage to speak, I would probably ask something ridiculous, like, “What it was like to go galumphing across the wilds of New Zealand wearing those massive boots in The Hobbit?” Or perhaps I would ask, “Exactly how many takes were required to film ‘The Kiss,’ and who was the lucky woman who taught you to do that?” Or, in reality, I would probably just offer him a cup of coffee, and would probably spill it on him. He’s probably safer if I never bump into him.

Nicole

Facebook: https://www.facebook.com/Nicole-Clarkston-1730162270587796/

Twitter: https://twitter.com/N_Clarkston

Goodreads: https://www.goodreads.com/author/show/14175642.Nicole_Clarkst

Exploring the Creative Process-Part IX: Interview with Abby Vegas

Just in time to bid farewell to another month and celebrate the release of her Lucas North-inspired novel, Clean Break, here’s our interview with Abby Vegas. abby_vegas
What type of environment do you need to write?
Someplace comfortable! In the summer I write on my screen porch, and in cold weather I write inside by the fire. Background music is a must for getting words on the page, but when I’m editing I usually prefer to work in silence.
How do your ideas come to you? Do you always write them or do you let them disappear?
Clean Break was my first novel and I drew inspiration from so many different places — movies, books, fairy tales, Spooks, real-life experience, and pure imagination. It took some time for the whole thing to come together. In the process I’ve absolutely let some ideas come and go. You can’t pack everything into one novel.
Do you plan a story from the beginning to end or start with an idea and let the chapters come to you as they do?
Clean BreakA little of both, although I think I veer closer to flying by the seat of my pants. With Clean Break I had a definite idea of where I wanted to start and finish, but how I’d get there was still a mystery when I started writing. The characters didn’t really come to life in my head until I had them on the page, talking and moving and thinking, making mistakes and learning from them. And some directions I initially took the story didn’t work, so I had to rethink my approach and try again.
 
Do you prefer writing easy, quick stories or long, layered stories?
 
Both! Short stories are a lot of fun because they don’t take two years to write (and edit and publish.) But there’s something very satisfying about a long-form story, too, and that’s why I wanted to try my hand at writing a novel. There’s freedom to explore in all that space, and I loved bringing in the secondary characters and taking time with some of the thematic elements.
 
Which do you find easier to write: dialogue or description – or are they equally hard/easy?
 
Writing dialogue is definitely easier for me. Description and introspection are a hard nut to crack – but it’s immensely satisfying to nail it, which I hope I do on occasion.
 
Is there anything that you won’t write or feel uncomfortable writing?
 
I wouldn’t say I *won’t* write it, but explicit sex scenes and erotica are not my forte. Given a choice, I’ll leave that to the experts.
 
What do you do to cure writer’s block? What advice can you give to new writers who might be scared to post their stories?
 
The only cure for writer’s block is to write. I’ve learned to embrace the wretched first draft as a necessary part of the process.
 
My advice to a new writer would be: start small. Try writing a one-shot fanfiction, post it on an appropriate site of your choosing, and see what kind of feedback you get. Then repeat the process. Fanfiction is an amazing point of entry for new fiction writers (I call it my gateway drug) because you have this built-in community of voracious readers and fans who are already invested in the characters and their stories. And connect with other writers in your genre! The fanfiction sites are an excellent resource for that kind of networking.
 
What is your favorite book and why?
 
Shining Through by Susan Isaacs — I’ve lost count of how many times I’ve read this novel. It’s a historical romantic spy-thriller chick-lit masterpiece with a kick-ass heroine. It’s just so good.
 
Abby´s Official Website:
http://www.AbbyVegasAuthor.com (includes bonus material for Clean Break + four nonfiction RA fandom adventures)
Twitter:
You can get her “Clean Break” at Amazon.com and AmazonUK.
 Visit Abby’s site and read the first ten chapters of the novel for free: FREE SAMPLE

Exploring the Creative Process-Part VIII: Interview with Hazel Osmond

We’re bidding farewell to April with a new instalment in our Creative Process Series. This time it’s Hazel Osmond’s turn.

hazelWhat type of environment do you need to write?

It doesn’t have to be absolutely quiet, but it does have to be non-distracting. So somewhere with background noise is OK as long as it’s not too loud. If there’s music playing, it either has to be such a familiar song I’m not really tuning into it, or have no words at all.

How do your ideas come to you? Do you write them down or let them disappear?

In that time between waking up and being fully awake, I often get ideas come to me and usually I have to write them down, having learned that otherwise they flit away.  I like to go out for walks too because there’s something about the rhythm of walking that generates ideas or helps me sort out plot niggles. Those walking ideas stay with me till I can get to some paper.

Do you plan a story from the beginning to the end or start with an idea and let the chapters come to you as they will? 

wolfe

I plan, but not too tightly. So I’ll rough out chapters and know how the story will end and the major events along the way. I’ll also make sure I get any timelines right at this stage, so for example, if there’s a seventeen year old appearing in the present day story, I make sure I have birth dates and conception dates right. But it’s loose scaffolding rather than a tight plan. If I plan too much, when I come to write the whole thing, the freshness is gone. Often as I write, new twists and turns develop so there’s room for me to surprise myself.

Do you prefer writing easy quick stories or long, layered ones?

faceI don’t know if there is such a thing as an easy, quick story! I’m going to say that as a short story writer I do like the snapshot of a life it offers and the way it makes you use every word to the greatest effect. On the other hand, there’s something satisfying in drawing all the different threads of a complicated plot together … Sorry, I can’t decide!

Which do you find easier to write: dialogue or description or are they equally hard/easy?

Definitely dialogue. I’m always eavesdropping on conversations to make sure I get the rhythms right.

Is there anything that you won’t write or feel uncomfortable writing?

I would find it hard to write about child murder or violence against the vulnerable – I became much more sensitive to anything happening to children once I had my own.

What do you do to cure writer’s block? What advice can you give to new writers who might be scared to post their stories? 

The Mysterious Miss Mayhew appears courtesy of Hazel Osmond

The Mysterious Miss Mayhew appears courtesy of Hazel Osmond

Just try to keep writing in the hope that something good will emerge. Because I have spent years as a paid advertising copywriter, I have learned that you can’t wait for inspiration to show up, you just have to get the words on the page and work from there. Having said that, I had a break from writing last year following a number of deaths in the family – I needed the break from mining my own emotions to create emotional stories. Luckily it has passed and I’m writing again.

To new writers – if you’re really scared to post, find a good beta reader who can help you get your story in the best shape and then go for it. And then, well, try to put your fear in perspective … most people are kind and supportive and those who aren’t are really few and far between. And really, should you let what ‘might’ happen stop you from expressing yourself? No … do it!

What is your favorite book and why? grace

‘Vanity Fair’ by William Thackeray. Layered, complex plot; intrigue; love; battles and an amoral female protagonist in Becky Sharpe. A huge, witty, satirical blockbuster of a book!

 

 

 

Visit Hazel’s official site: www.hazelosmond.co.uk

Contact her on Twitter

Get her books from AmazonUs or AmazonUK.

Exploring the Creative Process-Part VII: Interview with Charlotte Hawkins

The TempestHere’s a new instalment of our Writing Process Series to inaugurate our 2016 posts. This time we get some insight into the matter from Charlotte Hawkins, the published author of a well-known Gisborne trilogy.

Enjoy and get ready for more interviews in the coming weeks.


What type of environment do you need to write?

 
Solitude and quiet. I find it impossible to work when other people are around, and most any noise breaks my concentration.

How do your ideas come to you? Do you always write them or do you let them disappear? The BARON

 
They just pop into my head. I have to write them down or they vanish.

Do you plan a story from the beginning to end or start with an idea and let the chapters come to you as they do? 

I plan everything as it comes to me. My “Muse” dictates everything, so I rarely have a set path to follow.

Do you prefer writing easy, quick stories or long, layered stories?
 
Layered stories, for sure. When a story comes into my head, there are so many images and details floating around in my brain that I can’t contain them all in a short story. I just have too much to say.

MY LADYWhich do you find easier to write: dialogue or description or are the equally hard/easy?

I think I’m much better at writing dialogue. It’s not that I dislike writing description. I love it just as much. But I find that the voices of the characters speak to me in my head. They’re alive and say exactly what they need to. I just write it down.

Is there anything that you won’t write or feel uncomfortable writing?

 
I don’t think I would ever write mysteries or thrillers. I have little interest in the darker topics those kinds of stories sometimes take. I feel there’s too much darkness in the world already.

What do you do to cure writer’s block?

I wish I had a real cure. Some writer’s have it, but I don’t. I just have to wait it out.

What advice can you give to new writers who might be scared to post their stories?Grace

Find a good beta, preferably a fellow writer. Keep your work between the two of you until you feel comfortable sharing. Then, move on to writing groups. You’ll most likely find that your fellow writers are your best cheering section and your greatest sources of advice. After all, they’re in the same boat as you.

What is your favorite book and why? 

 
Jane Eyre, bar none. I’ve never felt such a spiritual connection to another story.

Visit Charlotte’s official blog: https://fromthequilltip.wordpress.com/

Contact her on Twitter or Facebook.

Get her books from AmazonUs or AmazonUK.

Sample the first Chapters of her latest book, The Grace Emancipation, on her blog: https://fromthequilltip.wordpress.com/the-grace-emancipation/ (updates are found on the blog’s homepage).